The ensuing mapping prototypes considered other methods of combining the collective image data, to investigate a means of creating a shared sense of place, through the different perspectives. I reviewed the image data and explored techniques where multiple images could come together to form a  through the collective data set. By way of collage, I categorised and combined the data image sets. I composed visual layouts intended to allude to a through movement and time, each image sliced and restitched, revealing fragments from the original image data. These trial mapping prototypes generated a sense of movement and time, with a shared sense of place through the combined photographic image data creating a merged perspective.